標題: "Mistress and Maid 97 [打印本頁] 作者: tscfngbv 時間: 2016-12-20 16:48 標題: "Mistress and Maid 97
She is Vermeer's "Girl with a Pearl Earring,Inch a painting often referred to as a Dutch Mona Lisa. The two share their mysterious origins plus cunningly ambiguous expressions. But that is 100 % fiction. What is true is always that she has become that unusual thing in high art the painting with a popular viewers.
In truth, the small canvas happens to be better displayed with its competitors. She looks a little forlorn powering her glass shield from the Frick's grand wood paneled gallery. Nonetheless isolation is often the price of celebrity. Her fame is such that individuals are calling this "the Vermeer display," even though the Mauritshuis sent exactly the one. The Frick, lucky enough to include three Vermeers of its own (from 35 known in the world), offers hung those in the adjacent West Gallery as suits. In the largest of those 3, "Mistress and Maid," at least 18 being handed the folded away note appears to be wearing precisely the same pearl earring (though no one provides ever suggested that she was Vermeer's lover).
Meanwhile, there are some worthy masterpieces down the hall. Rembrandt's face of a smiling ruddy faced dude captures the spirit of a who must have enjoyed his grog. Such paintings of ordinary folk were a new characteristic of the Dutch Golden Age, when paintings became since popular as movies are today. The Dutch excelled in landscape, as can be seen in John van Ruisdael's "View of Haarlem with Bleaching Grounds," one of those beautiful panoramas of the Dutch lowlands where ordinary places seem ennobled beneath awesome skies with billowing clouds.
A portion of the paintings in this group enhance the star painting in just one way or another. Steen's "The Oyster Eater" is one of a new genre in which servant ladies wear come hither looks, your jocular cousin to Vermeer's poetic vignettes. You can't look at the vulnerable expression on the woman's face in "Susanna,Inches Rembrandt's depiction of a biblical work of voyeurism, without connecting this to the face in Vermeer's artwork. And Carel Fabritius' remarkable "Goldfinch," some sort of trompe l'oeil masterpiece executed with easy strokes of the brush, is compatible with Vermeer's evocation of optical reality.
"Transforming Continue to Life Painting," an inquisitive one work epilogue to this show, presents a digital interpretation of your old master picture from your Mauritshuis' collection, Ambrosius Bosschaert's "Vase with Flowers within a Window." The artists, Take advantage of Cheap Uggs Canada and Nick Carter, currently have animated the picture on a computer screen, so that over a period of three time the light changes, insects appear and depart and the blooms eventually wilt. It's said to be a comment on the old vanitas tradition having its suggestions of mortality as well as the inevitable passage of time.
